Showing posts with label fashion illustration. Show all posts
Showing posts with label fashion illustration. Show all posts

Thursday, 25 February 2016

Industrial project


This is the first project of the second year which is designed to be a mock for the FMP. We were required to write our own brief and make a capsule collection of two outfits.


                                            
I started looking at tropical flowers as I had visited the island of Madeira and also the Eden project.









Digital Print of my design

Below are some pictures of my sketchbook work. 

Hand sewn fabric in my sketchbook


Sketch of some Orchids

Using solufleece and bondaweb, 

Appliqued flowers

Trapping layers of fabric using free hand embroidery 

Appliqued flowers

From my sketchbook work I started sampling with knit. 


Knit sample using the dubied

Knit sample using the dubied

Knit sample using the chunky knitting machine with the ribber

From my knit samples I started to lead these into final designs and garments.
Below are some examples of my CAD work and also my final dress idea coming together.





Fashion drawings using illustrator 

Here is all of my completed work including fashion illustrations of my outfits. 


Fashion illustrations


Final presentation


Final presentation area


Thursday, 7 May 2015

The 'Showstopper' Dress Design

The illustration and flat below are my design for the 'Live' project's 'Showstopper' dress. My design wasn't chosen and neither were my supporting designs. As my design wasn't chosen I will be making a dress using one of the chosen supporting designs. The exhibition will have one 'Showstopper' dress made by the successful designer and we will be creating versions of the other supporting designs between us as part of the project.

Sam


Monday, 4 May 2015

Blue Project Presentation

For my Blue project I was required to complete a mood board, an illustration, technical drawings and fashion flats, a technical file and six final samples. 

My inspiration was waves which I discussed in an earlier blog post. I think that my results tied in very closely to my theme and I replicated it well with my final knit samples. I hand-dyed all of the yarns that I used in these samples and this was an achievement for me as it's not something that I would normally do. Working with a small colour palette was also a challenge but it was interesting as it allowed me to focus more closely on depth and tone. I really enjoyed working on this project and was pleased with my final results. The photos below are of the presentation of the project in my base space.

Sam










Saturday, 11 October 2014

Quilting Project

So it’s been a little while since my last post. The first year has finished and now I’d like to catch up and write some posts about the projects from the first year that I haven’t already covered.

After the Weave project, we moved onto a Quilting project. This was a group project where each group had a different theme and “nothing flat” was our theme. As a group we chose our colour palette at the start of the project but we then found that we went off to work independently. The only time we actually came back together as a group was in the final stages to present it. In hindsight I think that if we had chosen our groups ourselves we may have worked better as a team throughout the project.

My group's colour palette

Quilting by definition is to pierce through two or more surfaces. This gives a lot of flexibility to people using this technique as you do not just have to stay with traditional stitching.

As part of the project I had to create 15 or more samples using our chosen colour palette and within the theme of “nothing flat”. We could go back and use knit, weave or print techniques to create these samples. The aim of this project was to help us to decide which path to specialise in for the remainder of the course.

Machine embroidery and fabric manipulation.

Multi-coloured plain weave on the loom.

Multi-coloured plain weave close-up.

Free-hand machine embroidery and beading.

Fabric manipulation using machine stitching.

To create my samples I decided to use weave, embroidery and fabric manipulation techniques. I really enjoyed experimenting within these techniques to develop my samples and this helped me to decide that weave was the path I wanted pursue.

Sam

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Tuesday, 1 April 2014

Weave Project

Weave is a project that I was really looking forward to because it was a completely new technique to me.  We started off with a colour study by trying to replicate some complicated images from magazines using only red, yellow, blue and white paint.  The real aim of this first task was to perfect colour mixing to achieve the right tones and shades.  Every time I mixed a colour, I painted a stripe of that colour.  When this was completed and I had all of my colours together it gave me a really good idea of how the colours work together.  This task later came in useful when thinking about colours and weaving.


To weave I used a 4-shaft table loom.  As a group we first began by learning to weave using 12 different techniques.  This gave me an idea of how everything worked and a feel for each of the techniques.  I cut off the practice weave and was then set the task of weaving a metre of experimental weave.  I had to choose a colour palette from one of my colour studies which I then used for this metre of experimental weave.



My final outcome of this project was 5 ‘concept pieces’ where parts of my weave would be sewn into a shirt.  To get to these 5 pieces, I designed 16 different concepts of how I could use weave in the design of the shirt.  Of the 16 designs, I chose 5 that I thought would work best with the width of my weave.

I decided to stick to the same colours as I had used in my experimental weave as I thought they worked really well together.  With my colours chosen I began to weave for the 5 concept pieces.  I wove 2 metres in total to use.


To make up the concept pieces I also needed another fabric.  I chose blue denim with gold in as it was a heavy fabric that would work with my weave and chosen colour palette.

The next part of the process was for me to cut the pieces that I needed out of my weave.  To do this I needed to pin my pattern pieces onto the weave and sew around the pieces.  This stopped the weave from fraying apart when I came to cut them out.  Some of the woven sections of my shirt included a button stand, cuff, yoke and various panels.  I cut my weave in different ways so that it could be used both horizontally and vertically and I also cut a piece on the bias.


After all of my pieces were finally sewn together I chose to embellish them with beads and buttons.

We also needed to have an illustration board as part of our final outcome.  My board had a Chanel bedroom background which I placed my illustrations of my completed shirt on.


I really enjoyed this project and learning the process of weaving.  Initially working with the woven fabric was challenging but I got used to it in the end.  I was really happy with the outcomes of this project.

Sam


Monday, 31 March 2014

Fashion Illustration Research

So I’ve recently handed in my critical research report to uni for marking. For those of you who don’t know already, my aim was to see what impact modern computer aided design has had on fashion illustration. Through the course of my research for the essay I looked at a lot of different illustrators and illustrations from past and present, like the one from Vogue that you see below.



To really answer my question within the word limit of the essay I had to select just a few illustrators to concentrate on. The ones that I picked demonstrated various amounts of computer aided design in their work, from David Downton who uses very little, to Bree Leman who uses software almost exclusively in the creation of her designs. Of course there are illustrators who use a mixture of mediums to get the results they want and so illustrators like Cecilia Carlstedt featured in my final essay too.



Cecilia Carlstedt

During my research I was really lucky and found some excellent interviews online with professional illustrators. This gave me a great opportunity to get some of their opinions on different mediums including computer software.



David Downton

One of my biggest fears about doing a degree course was the writing side of it because I’m very out of practice. This essay was my first in about two years and was very daunting for me initially. I found it hard to choose a subject as we had the freedom to choose whatever we liked. Once I had the idea of fashion illustration, something that I’m interested in, and began doing research it became a lot easier to focus on. Now that it’s all done and handed in I feel a lot happier with it and so now I’m just waiting for my grade and feedback.


Sam